She jerked back her hand in
surprise. With the last brush stroke, the oil and charcoal had burst to
life. The painting was
finished. She leaned her face in
close to breathe in the canvas. Sweet abomination. It was not what she had set
out to paint. She had planned a
chubby cherub with soft white wings and a heart-shaped arrow poised in a golden
bow. But the God trapped in the
canvas now was as frightening as he was beautiful. Not Cupid at all, but Eros.
He was asleep on a jumbled stack of papers, sonnets, poems, pages torn from her
own diary, but his sleep was not the quiet sleep of childhood nor the exhausted
sleep of maturity. She had painted him in the wild and restless sleep of youth,
his head thrown back, his breath fluttering at his throat, his mouth open like
a fish’s.
His
skin, which she had planned to make a soft ivory with a gentle rosy blush at
the cheeks, was a golden crimson, the color of sunburn on virgin skin, the
color of cinnamon swirling in a bowl of spiced wine. His lips were stained with
the blood of berries from the mountains, and his wings, spread wide beneath
him, burned orange and yellow. His chestnut hair hung in loose curls around his
face. He was young, but not a
child. His arms were strong, his
shoulders broad, his waist lean and firm, and although he was small, his size
did not make him seem young, only far away.
His
golden bow lay loosely in his hand.
His quiver was where he had dropped it, and the arrows spilled over the
ground. She had expected to paint
the arrows with short shafts and large heart shaped tips. But these arrows,
with dark barbs and gleaming edges, were undoubtedly weapons. She could see
names written on the shafts, names of doomed princes, lonely widows, warrior
kings, and school girls, lover after lover, martyr after martyr, names she knew
though she could not explain how she knew.
She
reached out and ran her fingers down one dark shaft. The name etched in gold
appeared beneath her fingertips. Mother.
“Mother?”
The child at her side tugged on her pant leg. “Mom, who did you paint? Is he
naked?”
She
pulled away from the canvas.
“What?
No?” she stammered and stood up. She looked around at the cluttered apartment.
Toys were scattered across the floor, laundry piled high on the couch, her
husband’s robe draped over the La-Z-Boy™. Puppets danced on the TV screen.
“Mom.
I’m hungry. I wanna tuna sandwich. Mom?”
“Sure,
clean up your toys, while I get it ready.”
“But…”
“No
buts, clean up your toys.”
In
the kitchen she reached over the cluttered dishes and took hold of the Clorox
High Efficiency Bleach Gel™. She went back to the TV room and, without the
slightest hesitation, soaked the canvas. The colors ran together and bled off
the canvas onto the carpet.
1 comment:
I throughly enjoyed your imagery in this piece. You did very very well at showing instead of telling. I also like the parallel you drew between the boy and the painting insinuating the immense and frightening potential the boy had. Very nice work.
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